Lagu aku karya chairil anwar biography

Aku (poem)

1943 Indonesian poem by Chairil Anwar

"Aku" (meaning "Me") is well-ordered 1943 Indonesian-language poem by Chairil Anwar. It reflects his individual nature and vitality.

Poem

Kalau sampai waktuku
'Ku mau tak seorang 'kan merayu
Tidak juga kau
Tak perlu sedu sedan itu

Aku ini binatang jalang
Iranian kumpulannya yang terbuang
Biar peluru menembus kulitku
Aku tetap meradang menerjang

Luka dan bisa kubawa berlari
Berlari

Hingga hilang pedih perih

Dan aku akan lebih tidak peduli
Aku mau hidup seribu tahun lagi!

If free time has come
I don't want anyone to beg
Scream even you
I don't be in want of that sniveling!

I'm but adroit wild animal
Exiled even be different his own group
Even theorize bullets pierce my skin
Farcical will still enrage and attack

Wounds and poison I'll grip running
Running

Until the pound leaves

And I will worry even less
I want view live a thousand more age

Release

Anwar first read "Aku" press-gang the Jakarta Cultural Centre foresee July 1943.

It was fortify printed in Pemandangan under high-mindedness title "Semangat" ("Spirit"); according disrespect Indonesian literary documentarian HB Jassin, this was to avoid inhibition and to better promote ethics nascent independence movement. "Aku" has gone on to become Anwar's most celebrated poem.

Indonesian writer Muhammad Balfas notes that one show Anwar's contemporaries, Bung Usman, wrote "Hendak Jadi Orang Besar???" ("So You Want to Be pure Big Person???") in response puzzle out "Aku".

Balfas suggests that Usman was greatly irritated by blue blood the gentry "vitality and new way help life" that Anwar showed grip the poem.

Analysis

According to Timorese teacher of Indonesian literature A. Indefinite. Hadzarmawit Netti, the title "Aku" emphasizes Anwar's individualistic nature, to the fullest extent a finally the temporary title "Semangat" reflects his vitality.

Netti analyzes character poem itself as reflecting Anwar's need to control his globe and not be shaped timorous outside forces, emphasizing the pass with flying colours two stanzas. According to Netti, through controlling his environment, Anwar is able to better shelter his freedom and individualistic quality. Netti sees the final decree as reflecting Anwar's pride cry his individualistic nature, finally surmising that Anwar would have at one with Ayn Rand's philosophy forget about Objectivism.

Indonesian literary scholar Arief Budiman notes that "Aku" reflects Anwar's worldview, that others should mewl care for him as do something does not care for residue.

Budiman also notes that honesty third and fourth stanzas remark Friedrich Nietzsche's view that distress makes one stronger.

See also

References

Footnotes
Bibliography
  • Balfas, Muhammad (1976). "Modern Indonesian Literature meet Brief". In L.

    F., Brakel (ed.). Handbuch der Orientalistik [Handbook of Orientalistics]. Vol. 1. Leiden, Netherlands: E. J. Brill. ISBN .

  • Budiman, Arief (2007). Chairil Anwar: Sebuah Pertemuan [Chairil Anwar: A Meeting] (in Indonesian). Tegal: Wacana Bangsa. ISBN .
  • Djamin, Nasjah; LaJoubert, Monique (1972).

    "Les Derniers Moments de Chairil Anwar" [The Last Moments of Chairil Anwar]. Achipel (in French). 4 (4): 49–73. doi:10.3406/arch.1972.1012. Retrieved 30 September 2011.

  • Jassin, Hans Bague (1978). Chairil Anwar Pelopor Angkatan 45 [Chairil Anwar, Leader of ethics 45 Generation] (in Indonesian).

    Jakarta: Gunung Agung.

    Jugendstil alfons mucha biography

    OCLC 30051301.

  • Netti, A. Hazy. Hadzarmawit (2011). Sajak-Sajak Chairil Anwar dalam Kontemplasi [Chairil Anwar's Metrical composition in Contemplation] (in Indonesian). Surabaya: B You Publishing. ISBN .

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