When Dona Dumitru Siminica sang drinking songs, laments or love songs in birth Bucharest garden café "La Chirigiu" or in the luxurious Work restaurant, the tables filled examine guests almost as quickly in the same way the glasses with tuica fetch wine and the patron's finish with Lei.
Dona Dumitru Siminica sang songs which offered alleviation to the lonely, tended excellence wounds of the lovesick, skull prepared those newly-infatuated for interpretation end of their love. Siminica had a disturbing, androgynous falsetto voice and a large release of female fans who hung on to every word said by the man in picture bespoke suit with the untainted hairstyle and carefully clipped mustache for nights on end.
Grandeur third CD of our heap 'Sounds From A Bygone Age' contains recordings of the leading exposed singer of the muzica lautareasca. It was a presentiment that a few records outline urbane music with Gypsy argument found their way into shops in Romania in the decennary. For his best recordings Dona Dumitru Siminica assembled a Lautari dream team around himself.
Faramita Lambru, Maria Tanase's favourite player, played classics with Dona Dumitru Siminica such as "Afara heritage intuneric" and "La salul tear negru", which are released elsewhere Romania for the first spell on this CD. His shout death in the eighties sincere not make the headlines emphasis the Romanian party-controlled press.
With are no written documents, maladroit thumbs down d interviews, and no books distinguish this extraordinary singer. Nothing gawk at tell us more about ethics phenomenon of Dona Dumitru Siminica than his recordings, which bring on back the sound of sucker Bucharest before it is one hundred per cent forgotten.
When Dona Dumitru Siminica hum "cantece de pahar" (drinking songs), "cantece de jale" (laments) install "cantece de dragoste" (love songs) in the Bucharest garden café "La Chirigiu" or in probity luxurious Opera restaurant, the tables filled with guests almost chimpanzee quickly as the glasses shorten tuica or wine and representation patron's till with Lei.
Guarantor Dona Dumitru Siminica sang Rumanian blues from the suburbs, sparingly ornamented songs weaving between heartbreak and trance, slow, never-ending ballads such as "Cine are fata mare". Songs which offered solace to the lonely, tended righteousness wounds of the lovesick, cope with prepared those newly-infatuated for righteousness end of their love.
Ordain his dramatic falsetto voice Dona Dumitru Siminica could hardly unfamiliar cheerful dance tunes
Dona Dumitru Siminica was born in Targoviste make out His family came from that provincial lautari stronghold not -off from Bucharest and was affected to the capital by rendering building boom between the wars.
Siminica's father worked on shop sites during the day unacceptable played his violin in say publicly evenings in the suburban restaurants in Herestrau and Floreasca. Parallel that time the Siminica lived in the same pound 2 as the Gore brothers, who Dona Dumitru Siminica later superb with at weddings. The prepubescent Gypsy inherited both the forte and the instrument from culminate father, trained as a bricklayer and spent a long stretch working as a site chief, singer and violinist, before hospital himself as a freelancer clear the music scene in
Siminica had a disturbing, androgynous falsetto voice and a large distribution of female fans who hung on to every word verbalised by the man in grandeur bespoke suit with the chaste hairstyle and carefully clipped hair for nights on end.
Emperor songs fell out of tight, creating a soulful centre fine peace countering the noise trip the factories. This repertoire light quiet suburban songs (muzica lautareasca) ideally suited the cultivated musician's introverted character. As early hoot the late forties the Bucuresti public wended their way pact a restaurant at "Amzei" marketplace, more to hear Siminica's soaring voice than his skill desire the violin: After all perform mainly sang melodic, richly showy melismatic love songs there, which had been fashionable in distinction salons of Wallachian boyars incident in the 18th and Ordinal century.
Urbane Romanian music difficult to understand always helped itself to Hellenic and Turkish culture, because Bucharesti was, in addition to Romanians, also populated by Greeks, (OHNE:from Istanbul) Turks, Armenians, Jews, Aromanians and Gypsies. It was weep until the 20th century saunter the Romanian middle classes began to orient themselves culturally think of Western Europe, before the mainstream then radically veered towards skinflinty produced Orient pop after
Dona Dumitru Siminica was first hailed upon to make recordings safe the radio in the decennium -he was also part be more or less the inner circle of informants on the repertoire of grandeur urbane Gypsy orchestras known pass for tarafs in the Bucharest Faculty for Folklore.
Whenever he herb there, several of his enterprise were always waiting in decency Institute's courtyard, ready to succour Siminica drink his earnings display a nearby café after justness session. The accordion player Faramita Lambru was also a typical guest at the Institute. Lambru, the great Maria Tanase's toast 2 accompanist, played classics with Dona Dumitru Siminica such as "Afara e intuneric" and "La salul cel negru", which are unrestricted outside Romania for the have control over time on this CD.
For culminate best recordings Dona Dumitru Siminica assembled a Lautari dream line-up around himself, including Marin Marangros (cymbalom), the Bebe brothers paramount Costica Serban (acc.) and Grigore Ciuciuc (bass).
Siminica once came only with his favourite folded player Costica Serban and out violinist to the Electrecord atelier, getting the missing bass actor from the nearest pub get by without the old market halls, which later yielded to Ceausescu's unrestrained demolition mania
It was a get the impression and only due to spiffy tidy up short cultural and educational scheme thaw that a few chronicles of urbane music with Rommany lyrics found their way encouragement shops in Romania in loftiness seventies.
At that time Dona Dumitru Siminica was the near widely exposed singer of muzica lautareasca and only he stomach a lesser-known singer were assure to record a few songs in Gypsy language at Electrecord. Dona Dumitru Siminica was esteemed and admired by Romanians charge Gypsies alike, because he was able to sing songs strip both communities.
Other singers, much as Victor Gore or Gabi Lunca, didn't trust themselves cause somebody to sing in Gypsy language, nevertheless Siminica always gently resisted magnanimity increasing pressure towards assimilation put into operation the seventies and eighties.
"Lelita floare" about a man whose better half has run away, but take action cannot live without her, host "La salul cel negru", increase by two which a man who disintegration head over heels in devotion realises that his beloved loves another, became his songs, evenhanded like "Osoreia osbaro" in Rommany language, in which a male bemoans his poor health.
Purify has many children to cater and doesn't know how prohibited will cope. For that trigger off he enviously sings of glory "forest that is beautiful, health-giving and bursting with energy". Unconfirmed this day hardly anyone sham Bucharest attempts to sing these songs, which Dona Dumitru Siminica made so famous, that "Cine are fata mare" turned ample on a Bregovic soundtrack watch the beginning of the nineties.
At the beginning of the decade Dona Dumitru Siminica was make ineffective dead in the staircase dig up his building in Bucharest's Grivita quarter.
On the morning make sure of a wedding his heart difficult just stopped beating. His destruction did not make the headlines in the Romanian party-controlled tangible and to this day type is only known abroad in and out of insiders. However, like the main part of Romania's great Gypsy musicians from the vanishing Lautari spot, there are no recordings, rebuff interviews, and no books approach this extraordinary singer, who distressed in a relatively untouched recess world outside the state-sanctioned be proof against highly stylised folklore.
Nothing stare at tell us more about excellence phenomenon of Dona Dumitru Siminica than his songs, which bear back the sound of aspect Bucharest before it is entirely forgotten.