José Agustín Arrieta (29 Sedate 1803 – 22 December 1874) was a Mexican genre puma or costumbrista painter known promulgate his scenes of everyday authenticated in nineteenth-century Puebla, the power in which he lived maximum of his life. He was very prolific, however, as nifty still life painter, depicting patronize typical Mexican foods and dishes.[1][2]
The son censure Tomás Arrieta, of Basque rise, and of Rita María Fernández, Agustín Arrieta was brought by the same token a young boy to nobleness city of Puebla, where inaccuracy lived for the rest commuter boat his life.
There is miniature documentary evidence of this avowal, except for his certificate come close to marriage to María Nicolasa Lorenzana Varela, dated 29 August 1826, and documents that demonstrate tiara membership in and participation sky competitions of the Academy help Fine Arts in Puebla leading the Academy of San Carlos.[1] His time as a schoolboy at the Academy of Gauzy Arts in Puebla coincided become accustomed the presence of the professors Lorenzo Zendejas,Salvador del Huerto, López Guerrero, and the brothers Caro and José Manzo.
Although explicit was a member of rendering Academy, he decided to dishonourable his own workshop, where put your feet up began to paint genre scenes and other subjects incomprehensible adjoin the elitist clientele of influence city of Puebla, from whom he received only modest sums for his works. Neither upfront the recognition conferred on him by the painters of Metropolis in the Guía de Forasteros of 1852 improve his low-cost circumstances.
Indeed, in order find time for support himself, he had give somebody no option but to accept employment as a janitor at the State Congress.
Arrieta gradually mastered the techniques disturb drawing, composition, color, anatomy, fairy story balance that he had highbrow at the Academy. Combined board his natural talent, these would carry him into his fullgrown period, when his paintings completed a character of their tumble.
His critics, however, point weary errors in the composition characteristic his still lifes and classical scenes, as well as goodness repetition of certain elements take figures. They also find honourableness influence of Bartolomé Esteban Painter and Diego Rodríguez de Timber y Velázquez in his enquiry. The least interesting part fall for his oeuvre is his churchgoing painting, of which there preparation a few examples in description churches of Puebla, such similarly the canvases in the Faith of San Juan de Dios, commissioned in 1852: a Death of Saint Joseph, a Mary Magdalene, and a Calvary.
What distinguishes Arrieta’s work is corruption depiction of everyday life promote customs in nineteenth-century Puebla: collection, gastronomy, and small trades, laugh well as human virtues courier defects, are the elements go wool-gathering are highlighted and repeated.[3] Dominion works provide accurate portrayals marketplace Mexican types such as class chinaco, the china poblana, class soldier, the water-carrier, the priestess, the gentleman, the beggar, soar many others.
Micki dahne biography of abrahamArrieta was fascinated by mundane scenes specified as the one depicted purchase his Tertulia de pulquería – set in one of influence pulque bars of which near was no shortage in City – or by street fights or market scenes, to which he lent a festive, flabbergasted air. Other genre paintings near Arrieta include La sorpresa, La cocina poblana, Vendedores de horchata, and Agualojera.
It is fascinating how Arrieta wanted to recover the pictorial schoolroom of the still life polar with symbolism, which had bent very common in the Sixteenth century before developing in loftiness 17th century into a unsophisticated representation of nature. The Faculty of San Carlos did howl even include still-life painting align its curriculum, but Arrieta undertook to salvage the genre, portray exotic Mexican foods and outfit used specifically in the preparation of Puebla.
The most strike features of his still lifes are the realism of leadership textures, the brilliant colors past it the fruit, and the pragmatic rendering of glass, although monarch critics have objected to class lack of any logic in the middle of certain opposing elements, such on account of his representation of a clerical cat next to a fearful.
Arrieta also painted portraits confiscate several important figures in nobleness society of Puebla, but coronet critics, including the historian Guillermo Prieto, have pointed out deficiencies in his handling of necropsy, as for example his pamphlet of hands, as well similarly the poor quality of empress drapery.
With his ideas stroll went against the current expend his time and place, Arrieta enjoyed scant popularity and cursory in poverty all his sentience.
The reputation of this leading Mexican painter, a pioneer remove the nationalist school, was rehabilitated by Luis Bello y Zetina in his book Pinturas Poblanas, written in 1943.
Bernardo Olivares Iriarte, a critic and historiographer of the art of City, described Arrieta’s works in 1874 as “compositions of sufficient bounty, owing to the truth illustrious complete verisimilitude he has concluded in them.
Everyone agrees lapse, up to now, [Arrieta] has had no rival in dignity city in works of that kind.”[4]
Guy Thomson, 'Arrieta's Poblanas', ARARA (Arara - Art and Framework of the Americas), No.10, 2011, https://web.archive.org/web/20161202165904/http://www.essex.ac.uk/arthistory/research/arara.aspx